SKU: 44699816564
schefflera arboricola cat safe

schefflera arboricola cat safe Full Size Schefflera 'arboricola'

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Description

schefflera arboricola cat safe Full Size Schefflera 'arboricola'Description Oh, you'll love how the Arboricola makes everything feel right in your home! Those perfectly arranged umbrella shaped leaves create such a welcoming presence, and this Umbrella Plant brings that ideal balance of structure and softness to any space. This Schefflera Arboricola has been winning hearts for decades with its forgiving nature and those lovely umbrella leaves. Growing 3 7 feet tall (0. 9 2. 1 meters), your Arboricola will become a

Description

Oh, you'll love how the Arboricola makes everything feel right in your home! Those perfectly arranged umbrella-shaped leaves create such a welcoming presence, and this Umbrella Plant brings that ideal balance of structure and softness to any space.

This Schefflera Arboricola has been winning hearts for decades with its forgiving nature and those lovely umbrella leaves. Growing 3-7 feet tall (0.9-2.1 meters), your Arboricola will become a cherished companion that quietly purifies your air while adding that special touch of green life. Our customers adore how reliable these plants are - they're truly built for those long-term plant relationships we all treasure! 

 

Care 

How do I care for an Arboricola?

You'll love how easy Arboricola care is! Give your plant bright indirect light and water when the soil feels dry. It handles normal room temperatures like a champ and forgives you completely if you're still learning plant care routines.


Is Arboricola a good indoor plant? 

Your Arboricola is absolutely wonderful indoors, adapting easily to different home conditions while quietly cleaning your air all day. It’s forgiving with watering schedules and doesn't stress when life gets busy, giving you one less thing to worry about.


Does Arboricola like sun or shade? 

The Arboricola loves bright indirect light best, though it'll handle some shade without any complaints whatsoever. Direct harsh sunlight can scorch those umbrella leaves, so we always recommend that perfect filtered light for its happiest growth and health.


How often should I water an Arboricola? 

Water your Arboricola when the top few inches of soil feel dry, usually every week or two depending on your home's conditions. It's not fussy about exact timing - just check the soil and you'll know when it's ready!


Can I put my Umbrella Plant outside in the summer? 

Your Umbrella Plant loves summer outdoor time with fresh air and natural humidity to perk it right up. Just protect it from harsh afternoon sun and bring it inside before temperatures drop below 54°F (12°C) in the fall.


Where is the best place to put an Umbrella Plant in the house? 

We always tell our customers to place Umbrella Plants near east or north-facing windows for that perfect bright, indirect light. Keep it away from cold drafts and heating vents where temperature swings might stress it out unnecessarily.


Do Umbrella Plants like to be misted? 

Light misting is lovely for your Umbrella Plant - like giving it a gentle spa day that brightens its week! Heavy daily misting isn't necessary, though. Instead, think about using a humidity tray to create the best conditions.


How much light does an Arboricola need?

Your Arboricola needs about 4-5 hours of bright indirect light daily to maintain those lovely colors and healthy growth patterns. Less light means it might get a bit leggy and lose that full, lush look we all love so much.


What fertilizer is best for Arboricola?

Feed your Arboricola with a balanced liquid fertilizer at half strength monthly during spring and summer growing seasons when it's actively growing. Think gentle nourishment rather than big meals, and skip winter feeding when it's naturally resting.


Pet-friendly?

Caution - your Arboricola isn't safe for curious pets. They contain compounds that can make pets sick, so it's important to keep them somewhere your furry family members can't reach.


Are Arboricola toxic to dogs?

Arboricolas are toxic to dogs and can cause drooling, vomiting, and mouth irritation if nibbled on by curious pups. If your dog gets a taste, contact your vet right away - we always recommend being cautious with plant safety around pets.


Are Arboricola toxic to cats?

Arboricolas are toxic to cats, causing drooling and stomach upset that can make them quite uncomfortable and miserable. Keep it away from curious kitties who might think those umbrella leaves look tempting to explore with their mouths and paws.


Factoids

How tall do Schefflera Arboricolas get?

Indoor Schefflera Arboricolas typically reach 3-8 feet tall (0.9-2.1 meters), perfect for making a statement without overwhelming your living space completely. Outdoors in their natural habitat they can hit 25 feet - but don't worry about that happening indoors, even with proper care!


Is an Arboricola air-purifying?

Your Arboricola works quietly to remove toxins like benzene and formaldehyde from your air while looking lovely doing it. It’s a living air filter that just needs occasional watering and appreciation for all that hard work around your home.


Why is Schefflera Arboricola called an Umbrella Plant?

Those lovely leaves feature 7-9 leaflets radiating from each stem like perfect umbrella spokes in such a distinctive pattern! Once you see that arrangement, you'll understand exactly why this Umbrella Plant earned such a fitting and descriptive name.


Buy a Schefflera Arboricola

Looking for a plant that brings reliable beauty and forgiving care to your home? This Arboricola offers the perfect blend of striking presence and easygoing nature that makes plant parenthood truly enjoyable.

Our video shopping calls let you meet your future green companion before it comes home, so you can choose the perfect specimen that speaks to your heart.

Shipping Notes
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Exchange/Return Notes
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  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
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SKU: 44699816564

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4.5 ★★★★★
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M
Verified Purchase
Mr. Watkins
Carnegie, US
★★★★★ 5
Classic Terry Gilliam- Watch It!
One of the best Terry Gilliam movies out there. Made in the 1980's, the cast is superb, and it holds up well 40 years on. WAtch it- it's a trip!
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 27, 2026
M
Verified Purchase
***moviemaker***
Chelsea, US
★★★★★ 5
BLU RAY is the 132 minute Original U.S. Theatrical Cut FINALLY!!!!
] On this Blu-ray for the first time ever we get the ORIGINAL 132 minute version of the film as was shown in U.S. theaters. (Note: This is NOT the "Love Conquers All" Sheinberg/TV Edit.) All the DVD releases before this have been the European Version/Director's Cut of the film. Even the original Universal DVD release that said Theatrical Cut on the box actually had the European Version/Director's Cut. Unfortunately, Universal didn't really spend any time cleaning up the negative for Hi-Definition (there is very noticeable instances of dirt and debris on the negative) but it still beats the image quality found on the Universal SD DVD, and they do include an amazing DTS-HD Master 5.1. We'll just have to wait for the Criterion Blu-ray of Brazil for image perfection but serious fans of Brazil will want to get this Blu-ray edition just to have this version of the film as it was originally seen in theaters in 1985. I actually find this 132-minute version is in many ways a superior cut of the film. Here are the differences in detail: *In the 132-minute version you cut from Sam in bed with Jill, police sack goes over head, then CUT TO Pull off police sack to reveal Sam in Torture Chamber/Interrogation chair. This one cut is simply brilliant and very powerful. In the Criterion Version you have the added scene of Mr. Helpman as Father Christmas (completely out of charcater from the rest of the film) and the whole interrogation scene of Sam hanging from the rack inside the police/mail pouch which becomes narratively redundant and dilutes the impact of the final scene. *To end it with cooling tower/interrogation room fade to clouds was a great Gilliam wink of subversion and irreverence to the cliche Hollywood Ending. As opposed to the European cut of just credits over cooling tower/interrogation room. *The Samurai Scene is divided into 3 separate scenes in the 132-minute version versus 1 LONG scene in the European cut. And you know what? Like most things, it works better in 3's. *The 132-minute version cuts straight to the Dinner Scene with Ida (his mother) ordering numero deux, trois, etc. while the European version has the entrance to the restaurant of going through the metal detector which really doesn't add anything and is again a bit redundant when the bomb does eventually go off in the restaurant. With the scene, you're signaling to the audience we are looking for a bomb, so we expect a bomb. Without the added scene, the bombing is unexpected and it actually shocks you so you're both horrified and laughing. The unexpectedness also works as it builds upon the bomb motif from the first explosion at the beginning of Brazil during the Ducts advert. *And finally I just love that the 132-minute version opens on those clouds (outtakes from The Never-Ending Story) then goes to the Central Services advert about Ducts: "Are your ducts old-fashioned, out-of-date... " Now the Criterion version also has the clouds opening (The Original European Cut didn't) but it's funny because the Studio asked Gilliam to start off with the clouds for the US Cut and he actually prefers it as quoted in his Director's commentary. Hilarious. Little changes that add up to a tighter and overall, better film.
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Reviewed in the United States on July 12, 2011
W
Verified Purchase
W.P.
Carnegie, US
★★★★★ 5
Great cast; well directed
Great movie; lives up to its reviews
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 25, 2026
B
Verified Purchase
Basket Case
Pawtucket, US
★★★★★ 5
An ageless classic !
I hadn't re-watched this movie since the first time I saw it, when it came out in 1985. Back then, it had stricken the public with its fatalistic and pessimistic view of an overwhelming bureacracy, a suggested characteristic of fully-centralised power in a controlled society in the future. Today, we can still admire some of its validity and premonitory qualities (and the sarcastic humour !). The dream-like scenes and symbols used in the film are also ageless. Ever-growing computer systems govern today the relationships we hold with banks, government departments, utilities, phone companies, etc. Who hasn't experienced the frustration of dealing with their 'machines' and/or incompetent & robotic bureaucrats when problems or errors arise in their service? 'Brazil' will seem so familiar! The omni-presence of screens in our lives, everywhere and incessantly offering us products or services, or used to control our movements and behaviour, is also a well-guessed futuristic scenario by Gilliam & co. And what to say about the 'terrorism' and the 'permanent state of fear' portrayed back then? Sounds familiar today? I recommend this movie to anyone interested in the threats of an unbridled, arrogant and all-powerful bureaucracy in human society. The film can be a bit 'heavy' at times, though. Not everyone's cup of tea. Watch it first, before sharing with friends or family.
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Reviewed in the United States on February 19, 2012
J
Verified Purchase
johnf
Lake Worth, US
★★★★★ 5
The music is lovely, Catherine Deneuve is beautiful and the story will tear you apart.
The word "Masterpiece" is thrown about often in the worlds of film and music but in this case this is the real thing. The Umbrellas of Cherbourg is one of those rare instances where everything came together in a film in a serendipitous way that would never be duplicated. Not only that, but made by two up and coming young men who had only done two films before with a cast of mostly unknowns. Then, to top it all off, it would not just be a musical, but a film sung completely through like opera, something completely unique and untried. Try selling a concept like that to one of today's studios. Fortunately the early sixties was a much looser time with many movie studios and open minds willing to try new things. The director was Jacques Demy, whose first film, Lola (1961) included music but was shot in the more usual black and white. His co-creator was Michel Legrand, already known as a jazz pianist who had had hit albums and even toured America. The music would be light,, but not operetta; it would be updated to include strong influences of chanson, pop and jazz with a little Baroque counterpoint thrown in (Legrand had been classically trained). This time the film would be shot in super-saturated color with sets painted vibrant, almost expressionist colors. And it all would center around a young and virtually unknown Catherine Deneuve and Nino Castelnuovo as Genevieve and Guy, the very personification of young love in a rainy Spring. The resulting film is completely transporting. The story is very old, the treatment very new and the end result is something to be experienced. The singing somehow seems completely natural, more natural in a way, than films with spoken dialogue that break into songs from time to time. Here in a world of continuous music, love has turned everything into a dizzily colored poem that peaks when Guy is to be sent away to fight in the war in Algeria. Fate takes a big hand in the consequences creating unforseen results. The supporting cast are as good as the principals, with Anne Vernon (Madame Emery) the veteran of many films and Marc Michel (Roland Cassard) coming in having played the same character in Lola, a signature quirk of the director. The music produced two early sixties hits, I Will Wait For You and Watch What Happens. Mr. Legrand's familiarity with the worlds of pop and jazz kept everything fresh-sounding and up to date. You also note subtle touches like the opening jazzy music set in 1957 is very brassy and big band sounding while in the 1963 final scene it's the cool jazz of that time. The colors are so captivatingly brilliant that when establishing shots of the actual Cherbourg are shown it seems like another world. If you like romances, this is one of the classics. If you are open to musicals you will have no trouble with the fact that the entire film is sung. This is a most memorable and worthy film.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on January 31, 2016

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